Others call for the stricter enforcement of pass laws. Being known internationally as an author and spokesperson of the conditions in South Africa kept Paton out of trouble with the government. But it is not permissible to watch its destruction, and to replace it by nothing, or by so little, that a whole people degenerates, physically and morally." And those Americans of Serbian background who have sought assistance from the American Red Cross in sending relief supplies to needy persons in Serbia have routinely received the cold shoulder. He agrees to take up the defense of Absalom "pro deo"—for God, for free. Her primary function is as a "reality check" on Stephen. He chooses crime more by default and association with others in a similar position. She has been working as a prostitute. Mandela became the leader of the Government of National Unity in South Africa, which seeks to exercise justice for all races. The reform authorities hope that he will take the job they arrange for him so he may provide for his young girlfriend who is pregnant. Then, we will learn about the way the author uses poetic and religious language to express these ideas. The punishment for Absalom is inevitable. After a long search from one address to another, Gertrude is found living in a shabby room with a young child. In the end, the call of the city is too strong and she slips away, leaving Stephen to care for her son. The force of conformity to maintain an unjust status quo recurs in the novel. Source: Sharon Cumberland, in an essay for Novels for Students, Gale, 1998. Arthur is a white activist who works to further the cause of racial equality in South Africa. John understands the political and economic power structure; he recognizes the profit motive underlying the exploitation of native labor; he even recognizes the techniques of subjugation designed to keep the black man in his place. While in college he published his first poems in the university's literary magazine. (2.26.20) In this passage, the narrator comes right out and tells us that John gives his speeches for the applause. 16-17. Cry, the beloved country, these things are not yet at an end. Paton's Cry, the Beloved Country offers no blueprint for a Utopian society. There he wrote that Cry, the Beloved Country "is a great and dramatic novel because Alan Paton, in addition to his skill of workmanship sees with clear eyes both good and evil, differentiates them, pitches them in conflict with each other, and takes sides." He says. Fortunately, the article by Harry A. Gailey entitled "Sheridan Baker's 'Paton's Beloved Country,'" in which Gailey says that the interpretation of Baker is textually baseless, is also included in the anthology of Baker. "Perhaps we should thank God he is corrupt," he adds; "… if he were not corrupt, he could plunge this country into bloodshed. And from Paton's point of view this picture of Msimangu has some validity. And whether they do not see him there in the grass, or whether they fear to halt even a moment, but they do not wake him, they let him be. In the following excerpt, Callan examines the variety of literary styles Paton employs in Cry, the Beloved Country, and provides a plot summary.

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